WOULD YOU GO OUT AND SEE A FILIPINO MOVIE?
Filipinos are movie-lovers. It’s a fact and statistics are no longer needed to prove that. No matter what age, gender or social status… everyone watches a movie time and again whether on the big screen, on the small screen, on original, rented or pirated discs. But the question is, what are we watching? Recent box office blockbusters are mostly foreign flicks like Superman Returns and X-Men, the Final Stand. However, if all the hype is true, Sukob – an original Pinoy movie also broke box office records, which is of course, a good thing for the industry.
But I guess the real happening nowadays in the movie scene is the slow yet steady resurgence of quality films through our young revolutionary directors and writers. They are apparent heirs to the late great Lino Brocka. Indie films are making waves internationally and they’re trying very hard to catch – up with the mainstream audience. We got the acclaimed Cinemalaya films, Magnifico, Ang Pagdadalaga ni Maximo Oliveros, and the recent, Kubrador - Indie filmmaking – artistic freedom and freedom from commercialization – at it’s finest.
A day prior to airing our radio program about Filipino movies, Ion and I watched 12 short films and one full – length indie entitled "Sa Aking Pagkagising Mula sa Kamulatan" (My Awakening from Consciousness) directed by the very vocal Ato Bautista. It is now Ion's favorite local movie of all time. Somehow, both of us were truly "awakened in all consciousness". (kudos and thanks to www.pelikula-titusbrandsma.ph for the very memorable experience). We met cinemaphiles and other directors as well, one of them is 29 year-old, Ms. Nerissa Picadizo, our subject-matter-expert for today’s episode.
Rewind:
First, RS tells us a bit of a background of the Filipino movie industry. It started in 1897 with silent movies in black and white in 1000 movie theaters in the country. The 50s is considered as the golden age of the cinema. This eventually lead to the launching of the starring system and love teams (Guy and Pip – the love team of all time). The 70s saw the rise of socially relevant films because of Martial Law. 80s and 90s saw the psychedelic mixture of mostly commercialized, star-based and sexy films.
Rolling:
A.V.: Films really are the reflection of the society, culture and history of our country.
Nerissa: Yes, that’s true. For every filmmaker, like me, I get all my stories and ideas from my own personal life. Most of the directors I meet also derive their stories from what they see and experience, just like the movie of Ato Bautista that you watched yesterday. Movies are really the reflection of what’s happening in our life in the Philippines.
A.V.: How do you see the present local movie industry? They say that Sukob made it big in the box office… is this a proof that if it’s a quality film, people will really go out of their way to see it in the cinemas?
Nerissa: That could be true. But there a lot of factors that come into play as well. Sometimes there are quality movies that you are not aware of. Regarding Sukob, it's obvious that ABS-CBN and Star Cinema have the marketing power and network to back them out to promote their movies. Unlike independent film makers like us, we don't have that machinery to promote our movies.
A.V.: How would you differentiate a commercial, independent, or art film?
Nerissa: Movies from Star Cinema and other production companies are commercial films. They got deep pockets to create their film. Indie films vary. Usually, we call them "indie" because "Hindi maka-afford". We borrow cameras and a lot of things and ask different actors and crew to work for free. I ask a lot of people to give me money to make my film. It's basically creating a movie on your own or independently. Art films depend on where the viewer is coming from. An art film for you may be a trash for me. On commercial films, they have the usual formula themes like love story and something like that.
ION: Basically, commercial movies are for commerce, for the moviemaker to earn money. That's their primary goal, unlike indie filmmakers that just wanted to express their emotions or messages through their movies.
Nerissa: Yeah, But don’t get us (indie filmmakers) wrong. We are working on passion but somehow we want to earn also because we want to do another film. It’s not like we want to ask our family and friends for money all the time. We have to balance business and art. Filmmakers working in the mainstream also have passion. They just have to weigh what their producers wanted.
A.V.: I only go to the cinema for foreign films that will really give me a grand visual experience like Harry Potter, Lord of the Rings, Spider-Man… I usually rent at home other foreign and even local films. But when I stumble to watch Indies like Sa Aking Pagkagising, that really gives me hope for the industry.
Nerissa: I’ve been working in the industry for more than seven years. In the year 2000, there were really a few persons watching local films in festivals. But last year, there are so many people. Meaning to say, people are being aware of the presence of different kind of films out there… in the world cinemas, in the different art films from other countries. The state of awareness of the Filipinos for this kind of films is really progressing. With regard to the rate of creating local movies, it’s sad to say that the number of movies made here is declining. But somehow, thanks to digital film technology, it’s very accessible for a lot of filmmakers to create their work. Before, most Indie filmmakers pass more short films. But right now, many are creating full-length. I have to say that there is an alternative cinema happening here in the country because of digital filmmaking. In a way, it’s really elevating the local industry.
ION: Most people say that Filipino films are mostly predictable and the themes are repetitive. When you compare them to foreign films where there is somehow innovation and new ideologies. What can you say about that?
Nerissa: I have to say that I was at that stage then. It’s true that I’d rather spend 150 pesos to watching Harry Potter o movies with grand visuals because it’s your money’s worth. But now that I am working inside the industry, I have a different perspective. Sad to say, local quality films have less marketing exposure that’s why you tend not to watch them at the theaters.
ION: I agree. I am one of those who have not seen a lot of independent films. When I came to titus brandsma yesterday, I was really impressed. I must say that "Sa Aking Pagkagising" is my most favorite local film I have watched. If I could represent all the Filipino youth, I know that they would accept that film that really reflects what’s happening in the society.
Nerissa: I think that independent filmmaking is definitely helping out to elevate the situation of the film industry but I cannot say at this point that the whole industry depends on it. Somehow, at the moment, with what I am observing and experiencing, Indie films really help. Like right now, if you’ve seen movies in Cinemalaya, a lot of mainstream actors are working on it, like in Donsol. There is a fusion between independent and commercial. We had Cherrie Gil, Mark Gil and Angel Aquino working on indies with minimal talent fees. It’s a good sign.


